Minor Martin White

author · photographer

American[1] b. 9 July 1908, Minneapolis, Minnesota[1] d. 24 June 1976, Boston, Massachusetts[1] active 1937–1976

Minor Martin White was a prominent American photographer, theoretician, critic, and educator who significantly influenced creative photography in the mid-20th century. Born in Minneapolis, he studied botany at the University of Minnesota before dedicating his life to photography. He is known for his technical mastery of light and shadow, as well as his philosophical approach to the medium, which included concepts like 'equivalence'—the idea that a photograph can represent something other than its literal subject matter. White was a founding member and long-time editor of Aperture magazine. He taught at various institutions, including the California School of Fine Arts and the Rochester Institute of Technology. His work often explored landscapes, people, and abstract subjects, frequently incorporating personal reflections on sexuality, spirituality (including Zen meditation), and the creative process.[1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30]

  • equivalence
  • pre-visualization
  • spiritual photography
  • landscape photography
  • abstract imagery

Books

Works by Minor Martin White

  • 1978 Rites and Passages Aperture · book · English · ISBN 9780893810221 Contains photographs and writing by White with a biographical essay by James Baker Hall.
  • 1947 Amputations photographic sequence A photographic sequence including text from his journals.
  • 1947 Song Without Words photographic sequence A personal body of work depicting a model.
  • 1948 The Temptation of St. Anthony Is Mirrors photographic sequence A personal body of work depicting a model.
  • 1949 City of Surf photographic sequence A series of urban street photographs inspired by Walt Whitman.
  • 1955 Rural Cathedrals photographic sequence Landscape images from upstate New York shot on regular and infrared film.
  • 1959 Return to the Bud photographic sequence A major exhibition and sequence of photographs.
  • 1960 The Sound of One Hand photographic sequence A photographic sequence.
  • 1963 Out of My love for You I Will Try to Give You Back Yourself photographic sequence A photographic sequence.
  • 1965 Slow Dance photographic sequence A color slide sequence inspired by Gurdjieff's rhythmic rituals.
  • 1974 Totemic Sequence photographic sequence A sequence exploring the reality and unreality in a photograph.

Exhibitions

  • 1942 First one-man exhibition Portland Art Museum, Portland, Oregon · solo
  • 1954 Camera Consciousness group
  • 1954 The Pictorial Image group
  • 1954 Lyrical and Accurate group
  • 1959 Return to the Bud George Eastman House, Rochester, New York · solo
  • 1968 Light7 Massachusetts Institute of Technology, Cambridge, Massachusetts · group
  • 1970 Be-ing without Clothes Massachusetts Institute of Technology, Cambridge, Massachusetts · group
  • 1972 Octave of Prayer Massachusetts Institute of Technology, Cambridge, Massachusetts · group
  • 1974 Celebrations Massachusetts Institute of Technology, Cambridge, Massachusetts · group

References

  1. Lee Gallery. Minor White 1908–1975. link
  2. Hall, Minor White: Rites and Passages.
  3. Ibson, John. Men without Maps: Some Gay Males of the Generation before Stonewall.
  4. Bunnell, Minor White: Rites and Passages.
  5. Hall, Minor White: Rites and Passages.
  6. White 1969, 233.
  7. Ibson, John. Men without Maps: Some Gay Males of the Generation before Stonewall.
  8. White 1969, 234.
  9. Hall, 21.
  10. Bunnell, 4.
  11. Hall, 16.
  12. Comer, 20–24.
  13. Hill Jan 1977, 40.
  14. Comer, 28–30.
  15. Bunnell, 6.
  16. Hill Feb 1977, 37.
  17. Gee, Helen (1997), Limelight : a Greenwich Village photography gallery and coffeehouse in the fifties : a memoir.
  18. Gassan, 108–114.
  19. Hall, 40.
  20. Bunnell, 47.
  21. Bunnell, 9.
  22. Hill Feb 1977, 39.
  23. Bunnell, p10.
  24. Bunnell, 11.
  25. Daido Loori.
  26. Hall, 136.
  27. White, 1970.
  28. Bunnell, 12–13.
  29. Frajndlich, 12–16.
  30. Hall, 39.